With the shelter in place order I found myself with a fair bit of free time. So I dug my supplies and my desk out of the garage and took a shot at drawing something again.
Fingers crossed that it won’t be another two years before I post again…
Something I did last week as I try to get back into drawing. I’m a little rusty but not bad considering how long it’s been since I tried drawing anything.
I was doing a bit of clean up and came across a drawing pad that I hadn’t seen since 2008. These are some Blooks (Loomis’ term) from Andrew Loomis‘ 1939 book Fun With A Pencil. The book was out of print for ages and it used to be that the only way you could get a copy of it was to find a bootleg pdf version online. Loomis was an extremely successful illustrator and instructor in the first half of the twentieth century. His style ranged from the cartoony (like above) to the realistic.
When I came up with the name of this blog I had intended the pain to be a metaphorical one. Unfortunately, I’ve discovered over the last few weeks that drawing on an easel set vertically has its drawbacks. Specifically, I’m experiencing pain in my drawing arm from drawing this way. So I’ve decided to take a little break from the Bargue plates.
In the interim I thought I would do some studies from a master of figure drawing – George Bridgman. The drawings above are a few examples of his balance studies that I’ve drawn from Bridgman’s Complete Guide to Drawing from Life.
I hadn’t posted in a few days so I thought I would post where I’m at on the current plate. I’m struggling a bit with the rendering of the shadows on the left side of the foot. I can’t decide if it’s my technique or if I am overworking the paper itself.
Remembering how badly the last drawing progressed I made sure to spend the time necessary to get the block in right (which turns out to be about 2 hours). I’ve been looking forward to this plate. It is one of the more dynamic plates of the series.
Here’s hoping I don’t wring the life out of the drawing before I finish.
Here’s the final rendition of the series 1 plate 6a found in the Charles Bargue and Jean-Léon Gérôme Drawing Course. I can definitely see where I’m improving. I can also see where I still need to make improvements.
Just finished the series 1 plate 5 found in the Charles Bargue and Jean-Léon Gérôme Drawing Course.
Bargue Plate 1.5.5
I turned out ok. As usual there are parts I think I did well on and there are other parts that I would like to take a giant eraser to. For me, part of the issue is the fact that I can’t seem to to smooth out the pencil to create the appearance of a solid shadows. I can still see the pencil lines. Of course, part of that may be that I’m trying to get too dark of a value out of my pencil.
Perhaps next time I’ll try charcoal. That should be good for a laugh :)
And the original for reference.
Bargue Plate 1.5 (original)
As usual, your comments and suggestions are always welcome.